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 The legendary U2 Popmart live from Mexico City is now available on DVD!
Yesterday in 1979 Moonlight Club, West Hampstead 1980 Hammersmith Odeon, London 1981 The Agora, Atlanta 1982 Tiffany's, Glasgow 1983 Best Hit USA, Tokyo 1984 Tower Theater, Upper Darby 1989 Osaka Castle Hall, Osaka 1993 Lancaster Park, Christchurch 2001 Ice Palace, Tampa 2002 University of Nebraska, Lincoln 2006 TV Asahi Studios, Tokyo Today in 1979 Nashville Rooms, London 1980 Hammersmith Palais, London 1981 Vanderbilt University, Nashville 1982 Apollo Theater, Manchester 1984 The Centrum, Worcester 1997 Autódromo Hermanos Rodríguez, Mexico City 2001 American Airlines Arena, Miami 2001 American Airlines Arena, Miami 2004 BBC Studios, London Tomorrow in 1979 100 Club, Clapham 1980 Baltard Pavilion, Paris 1982 De Montfort Hall, Leicester 1984 WBCN Studios, Boston 1984 Radio City Music Hall, New York 1987 Orange Bowl, Miami 1993 BFM - Student Radio, Auckland 1997 Autódromo Hermanos Rodríguez, Mexico City
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| U2 Elevation Tour
Elevation Tour 3rd leg: North America
2001-10-24: Madison Square Garden - New York, New York, USA
(venue website)
<<< 2001-10-19 - Baltimore | 2001-10-25 - New York >>> No Bombast, But U2 Bands Together With N.Y. by Isaac Guzman (published on 2001-10-26)
Source: New York Daily News OnlineBy ISAAC GUZMAN
Daily News Feature Writer
New Yorkers came to U2's Wednesday-night show at Madison Square Garden looking for a pep rally. But the band that has cheered millions with anthems championing civil rights and spirituality gave them something more thoughtful, something that could not be summed up in a slogan.
Returning to New York for the first time since June, U2's "Elevation" tour again focused on songs from the recent "All That You Can't Leave Behind." Older hits, such as "In the Name of Love," "Angel of Harlem" and "New Year's Day," were mixed in with covers of "Knockin' on Heaven's Door" and "What's Goin' On."
Fans were eager for any sign of compassion or empathy U2 might offer in the aftermath of the Sept. 11 tragedy. Without prompting, the crowd erupted into chants of "U-S-A" and "Let's go, Yankees."
Bono, however, manifested more subtle displays. When a fan gave him an American flag during "Sunday, Bloody Sunday," he did not march around with it as he has done with a white flag of surrender. Instead, the singer simply embraced the Stars and Stripes and then reverently handed it back.
He also declared the night a celebration, observing that the I.R.A. had decided to dismantle its arsenal. His recollection of the "dark, ugly days" of terrorist attacks in Belfast and London underscored the band's understanding of Americans' grief and fear.
During "One," U2 used a huge video monitor to display a scrolling list of the names of Sept. 11 victims: those who died in the four hijacked planes, and the slain firefighters and police officers. The names of the others missing in the World Trade Center rubble were projected into the audience, where they cast ghostly shadows.
It was a powerful piece of theater, especially when matched to Bono's lyrics: "We're one, but we're not the same/We get to carry each other, carry each other."
As the band's members reach middle age, U2 has replaced its early muckraking with the search for meaning and love in a complex world. The result is music far more compassionate but no less potent, especially at a time when the smallest gesture carries the weight of the grandest statement.
U2 also plays tomorrow at the Garden and Sunday at the Continental Arena. back
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